Today the cover designers at Tate had their monthly critique meeting. They get together for an all day session to hash out all of the cover design mock ups they are working on for that month. It can be intense at times- designers defending their work, while the others in the group trying to convince that it could be better... I am very proud of them when I hear them discussing their designs, for they do not settle on mediocrity.
So what exactly happens when your book is in cover design? Let's start at the beginning....
The cover design process begins with each designer researching their book they are assigned to- they look on the internet for inspiration, speak to the editor, read portions of the book, and then talk to the author. I think it surprises authors a bit when the designer calls them, and asks them to talk a bit about their book. They've done all the research, but they want to hear from the author to say in their own words what they feel the cover should portray, and what the root meaning behind the book is. This is what sets us apart from other publishers- we actually care what the author thinks, and involve them in the process.
After the designer has spoken with the author, the designers will all meet together for a conceptual development session. It is usually at a local bookstore, so they can browse the rows and look at what the competition is going to be for their specific book. Of course, there is usually lots of Starbucks involved as well! Several original mock ups are then created for each cover, and then presented at the all-designer cover critique.
There are a few last changes done to the cover mock ups after the big critique meeting, approvals from Creative Directors, and then they are off to the authors! There may be a few more minor changes after this point, as the designer and author tweak to design perfection.
Nothing is taken lightly here on the cover design- for we know that it is the design of the book that will either turn off or capture one's attention. Our cover designers are continually examining the market, to make sure their designs are competetive with the covers in their genre. Niche marketing, which you can read about on Mark Mingle's blog, plays a large part in how the cover design turns out.
This month in the design department has been great so far- the designs today were fresh and innovative, (as always!) and I am contantly amazed at the level of service our designers provide to our authors.
Rob Grom: John Dies @ the End
2 days ago


5 comments:
You guys do incredible work, Mel. Just came across an article that supports the uniqueness of your approach:
"It may surprise you to know that the author is rarely consulted on the cover. Most publishers will provide the author with an initial cover questionnaire for factual information only -- the color of the heroine's hair and eyes, etc. Some will ask what the author would like to see as a cover, emphasizing that they may or may not listen, but many publishers don't invite even that much input."
http://storiesrule.com/2008/07/26/the-long-slow-crawl-to-the-bookshelf/
I'm extremely happy with our album cover and interior designs. Janae Glass was very polite and accomodating.
Although I havn't seen the final prints...I am satisfied with your design work.
thank you,
Tod/Pieces of Influence
Melanie,
I am legitimately thrilled at how well the cover design process went for my book. Leah did brilliant work. I wasn't prepared for how good it was. Don't take that to mean that I was expecting poor workmanship, but she was so thorough and so engaging during the process, and the final result so perfectly captured the theme and substance of the book that I was surprised. Every person who has seen the cover design has been enthusiastic.
Thank you very much once more, and tell Leah that I am still raving about it. (That's the best part of your company--everyone seems to know who you are).
Cliff Graham
Thank you Tod and Cliff!
I was amazed at the amount of input I was allowed during my cover design. As Curtis said, that is not always the case with publishers.
I don’t know if you remember, Melanie, how ecstatic I was about the finished product--it was and is very impressive. I get many comments on it from people at my book signing events, and elsewhere.
Have a blessed week!
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